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In Dyno on the Moon, Alessia Luongo constructs a sonic space from toy dinosaurs. Using microphones and cassette recorders, she generates a fragile ecosystem made of creaks, drags, imperfect loops, and magnetic residues.
Sound is a physical event: it vibrates in space, cracks, and jams. The performative gesture exposes the sonic material in its instability, transforming the scene into a lunar habitat.
A minimal work that questions the boundary between childhood, ruin, and analog science fiction.
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